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"How vain it is to sit down to write when you have not stood up to live" ~ Henry David Thoreau


"While the rest of the species was descended from apes, redheads were descended from cats." ~ Mark Twain


Wisdom:

- The only reason to be alive is to enjoy it.

- Don't hate it, embrace it.

- Muncește ca un sclav, poruncește ca un rege, creează ca un zeu.

- La vida no espera.

- Le temps détruit tout.

Dislikes:

Harry Potter. Dr. Who. "txt spk". Twilight. Ignorance. Tim Burton. Feminism. Ayn Rand. GOP. Tea Baggers. Politics. Religion. Lack of ambition. Gavin and Stacey. Estate Agents. Politicians. Horoscopes. Obesity. Tequila. Inequality. People who eat loudly. Religion. Twitter. The Mighty Boosh. Sense of entitlement. Injustice. Vodka. Brussell Sprouts. Homeopathy. Tribal tattoo's. Mainstream music. Bad films.

January 28th
21:38
3. Shame
As soon as I saw this trailer on the big screen, I was counting down the days until Steve McQueen’s follow up to Hunger was released.
The  plot centres around the life of Brandon (Fassbender), a thirty  something executive living in New York City who has been steadily  creating a life which allows him to indulge in his sex addiction  successfully, that is until his sister Sissy (Mulligan) arrives to stay  with him for a few weeks. 
As we drop into Brandon’s  slick apartment while he walks around completely naked, you cannot help  but feel like a voyeur sneaking looks for our own guilty pleasure, which  is just how McQueen wants us to feel.  McQueen really pushes the  boundaries when it comes to what we think can be  shown on screen, especially sexually and to his eternal credit he  doesn’t pull any punches.  In fact he hits us repeatedly with knock out  punch after knock out punch of savage and graphic film making. 
We are shown another human being at his most open and at his most  vulnerable.  McQueen, almost forces us to watch this person struggle  with something that he cannot control, reminiscent of Trainspotting or  Requiem for a dream, it’s is harrowing and simply put, really tough to  watch. 
Our perspective as voyeur increases throughout the film, we see him at work, conversing and brokering deals for his firm, appearing normal  and trying to keep his addiction manageable and secret, even though he  is having to masturbate in the company toilets and watch copious amounts  of porn on his company computer mere feet from his co-workers.  We  watch Brandon interact with people and we see him work hard to show no  signs of his addiction.  McQueen uses a lot of unbroken shots to  illustrate this cancer in Brandon’s life, including multiple long shots  which serve to separate us from Brandon just enough so we don’t start to  feel the shame as well. 
The score expertly uses strings to really add poignancy and weight to  the soundtrack and the use of music overlapping the sounds of what we  see forces us to focus harder on Brandon’s face as we see him ache for  intimacy, it’s an awkward process but one which engages you throughout.
With the arrival of Sissy, Brandon’s sister, we see how strained the dynamic and relationship between  the two are.  The story doesn’t probe into this, leaving a mystery as  to why Brandon doesn’t want her around or can cut her out of his life  for long periods at a time, which is probably the only downside to the  film.  Carey Mulligan delivers and connects with Fassbender, their  relationship is believable and gripping, when the two of them are on  screen together it is almost difficult to discern which one should  receive more of your attention.
As the film progresses we see Brandon’s life unravelling with his  inability to suppress his growing addiction.  We watch from just out of  arms reach as Brandon takes a co-worker to a hotel and is unable to  perform with her sexually as she tries to be intimate with him.  She  leaves and then we are taken back to the hotel to see Brandon performing  with a hooker.  We watch as Brandon goes out and tries to seduce a girl  with a boyfriend, leading him to being assaulted by her lover.  We  follow him on his search for his fix into a gay club where we realise  that his addiction is to the act of sex and ones sexuality doesn’t  dictate where his fix comes from, he kisses a man and forces his head  down to receive head from this stranger, the camera never leaves  Brandon’s face as we truly see the shame he feels.  He leaves the club  and arranges a meeting with two prostitutes, the film, like his  addiction is unrelenting.  We watch on as he fucks one of the hookers  and once again we are focused by McQueen on nothing but the face of  Brandon as he breaks down during an intimate act which he spends all of  his time thinking about and pursuing, yet he cannot feel anything other  than a quick hedonistic high. 
Michael Fassbender’s portrayal of Brandon is simply put,  captivating.  His sheer embodiment of the character slowly and somewhat  ironically pulls us closer to him than he could ever feel to us. His raw  emotion and power whenever he is on screen deserves any accolades that  are bestowed on him.
Baron Jamie gives this: 5/5 Mesmerising, powerful and harrowing, a daring film from McQueen and a stunning performance from Michael Fassbender.

3. Shame

As soon as I saw this trailer on the big screen, I was counting down the days until Steve McQueen’s follow up to Hunger was released.

The plot centres around the life of Brandon (Fassbender), a thirty something executive living in New York City who has been steadily creating a life which allows him to indulge in his sex addiction successfully, that is until his sister Sissy (Mulligan) arrives to stay with him for a few weeks. 

As we drop into Brandon’s slick apartment while he walks around completely naked, you cannot help but feel like a voyeur sneaking looks for our own guilty pleasure, which is just how McQueen wants us to feel.  McQueen really pushes the boundaries when it comes to what we think can be shown on screen, especially sexually and to his eternal credit he doesn’t pull any punches.  In fact he hits us repeatedly with knock out punch after knock out punch of savage and graphic film making. 

We are shown another human being at his most open and at his most vulnerable.  McQueen, almost forces us to watch this person struggle with something that he cannot control, reminiscent of Trainspotting or Requiem for a dream, it’s is harrowing and simply put, really tough to watch. 

Our perspective as voyeur increases throughout the film, we see him at work, conversing and brokering deals for his firm, appearing normal and trying to keep his addiction manageable and secret, even though he is having to masturbate in the company toilets and watch copious amounts of porn on his company computer mere feet from his co-workers.  We watch Brandon interact with people and we see him work hard to show no signs of his addiction.  McQueen uses a lot of unbroken shots to illustrate this cancer in Brandon’s life, including multiple long shots which serve to separate us from Brandon just enough so we don’t start to feel the shame as well. 

The score expertly uses strings to really add poignancy and weight to the soundtrack and the use of music overlapping the sounds of what we see forces us to focus harder on Brandon’s face as we see him ache for intimacy, it’s an awkward process but one which engages you throughout.

With the arrival of Sissy, Brandon’s sister, we see how strained the dynamic and relationship between the two are.  The story doesn’t probe into this, leaving a mystery as to why Brandon doesn’t want her around or can cut her out of his life for long periods at a time, which is probably the only downside to the film.  Carey Mulligan delivers and connects with Fassbender, their relationship is believable and gripping, when the two of them are on screen together it is almost difficult to discern which one should receive more of your attention.

As the film progresses we see Brandon’s life unravelling with his inability to suppress his growing addiction.  We watch from just out of arms reach as Brandon takes a co-worker to a hotel and is unable to perform with her sexually as she tries to be intimate with him.  She leaves and then we are taken back to the hotel to see Brandon performing with a hooker.  We watch as Brandon goes out and tries to seduce a girl with a boyfriend, leading him to being assaulted by her lover.  We follow him on his search for his fix into a gay club where we realise that his addiction is to the act of sex and ones sexuality doesn’t dictate where his fix comes from, he kisses a man and forces his head down to receive head from this stranger, the camera never leaves Brandon’s face as we truly see the shame he feels.  He leaves the club and arranges a meeting with two prostitutes, the film, like his addiction is unrelenting.  We watch on as he fucks one of the hookers and once again we are focused by McQueen on nothing but the face of Brandon as he breaks down during an intimate act which he spends all of his time thinking about and pursuing, yet he cannot feel anything other than a quick hedonistic high. 

Michael Fassbender’s portrayal of Brandon is simply put, captivating.  His sheer embodiment of the character slowly and somewhat ironically pulls us closer to him than he could ever feel to us. His raw emotion and power whenever he is on screen deserves any accolades that are bestowed on him.

Baron Jamie gives this: 5/5 Mesmerising, powerful and harrowing, a daring film from McQueen and a stunning performance from Michael Fassbender.

December 14th
21:29
I can now be fucked to review this.As a film fan, buff, addict and geek I hate remakes; The Wicker Man, Let Me In, Psycho, Get Carter, Planet of the Apes are enough evidence to support violence towards anyone involved with the making of that film.  “I don’t care if you were only the second grip, stay still while I swing this axe at your face”.  BUT there are a few examples that stick two fingers up to my prejudice and prove me wrong; Ocean’s 11, The Departed, The Thing, The Magnificent Seven and True Grit.You get the picture. As far as the ingredients for a good remake this film has it all; a well thought of cast, a fantastic and gripping plot, a director at the top of game and a soundtrack by Trent Reznor. But as the lights dimmed inside the Odeon cinema on Leicester Square, a feeling of nervousness washed over me as I suddenly realise that maybe my child at Christmas levels of anticipation for TGWTDT was perhaps getting the better of me.SPOILER ALERT: It didn’t.It is sometimes hard to watch a film when you know the story inside out from the original, but TGWTDT didn’t have this problem.  The film starts slowly with a phone conversation between two old men, it is understated and quiet enough to make me lean forward slightly in my seat.  When the opening titles explode onto the screen you are pushed back into your seat with sheer visceral noise from the Trent Reznor/Atticus Ross/Karen O cover of The Immigrant Song.  The imagery is stunning but are completely different I thought they would be but it works very well even though it looks like a dark and disturbed James Bond style opening sequence.After the impressive title sequence we are slowly and subtly introduced to the story and our characters.  David Fincher is an artist of the highest calibre and his works behind the lens are a joy, he brings the restrained style of a voyeur to the screen.  We are effortlessly kept at arms length, like a prisoner with Stockholm Syndrome, we gladly take what little information he gives to us and we never complain.  Pace is key with this film and DF is never one to rush the story along towards the aspects of the film which would may described as the most gripping.  In doing so he builds effortless tension and no scene is compromised leaving you with a complete feeling after every scene passes.  The story
Some of the shot selection is tremendous and expansive; following a blizzard battered train through a snow covered rural Sweden was excellent without showboating or the steady cam shot carrying us with Rooney Mara as she glides effortlessly through traffic made the hairs on the back of my neck stand up.The score couples with the shot making perfectly, the ability of Trent Reznor is without question here.  You can always tell if it is a good score if can you actually notice it during, loud, action scenes.  I noticed the score in both the loud and the quiet scenes.  It never overstepped the mark and it made an impact when needed. People question Daniel Craig’s acting, unfairly I think as I personally rate him as a fine actor.  In this film he embodies Mikael Blomkvist and does Michael Nyqvist from the original justice, with in a layered and composed performance which fits the film incredibly well.Then there is Rooney Mara.She has the incredibly hard task of following the tour de force performance of Noomi Rapace in the original version and in making the role her own.  It would have been very easy for her to overact or underact in this film but in my personal opinion that she is this films equivalent of a “punctum” in photography; it’s that thing that grabs a hold of you, the detail that makes it happen.  It’s an incredible performance from Rooney as she wears the role of Lisbeth Salander like she actually removed her skin and let her out from the inside, it’s a genuine performance full of outward rage, animal instict and understated aggression.  The character naturally is incredibly introverted so this can be a challenge to paint this on the screen and keep your audience captivated even without the pithy and snappy delivery of dialogue.  In this case you can draw comparables to Ryan Gosling’s fantastic performance in Drive, the way that she speaks is short, basic and almost monotone, she relies purely on her intense screen presence guided by DF excellent direction.  The rest of the cast perform admirably with what screen time they have but the main focus is on the relationship between Mikael and Lisbeth, with such downbeat chemistry and a somewhat awkward interaction it just serves to make their interactions even more realistic.The original was incredibly dark and some of the scenes were actually hard to sit through without wincing and grinding your teeth.  I was concerned that the remake would shy away and dilute some one the disturbing scenes but to the contrary; certain standout scenes of sexual violence were even harder to stomach.
This is a bleak portrait of human nature, smudging the lines between sex and violence.I loved this film and would highly suggest keeping the 26th of December free so you can ditch the family and watch a modern classic.Just make sure you ask for the original for Christmas first.

I can now be fucked to review this.

As a film fan, buff, addict and geek I hate remakes; The Wicker Man, Let Me In, Psycho, Get Carter, Planet of the Apes are enough evidence to support violence towards anyone involved with the making of that film.  “I don’t care if you were only the second grip, stay still while I swing this axe at your face”.  BUT there are a few examples that stick two fingers up to my prejudice and prove me wrong; Ocean’s 11, The Departed, The Thing, The Magnificent Seven and True Grit.

You get the picture.

As far as the ingredients for a good remake this film has it all; a well thought of cast, a fantastic and gripping plot, a director at the top of game and a soundtrack by Trent Reznor.

But as the lights dimmed inside the Odeon cinema on Leicester Square, a feeling of nervousness washed over me as I suddenly realise that maybe my child at Christmas levels of anticipation for TGWTDT was perhaps getting the better of me.

SPOILER ALERT: It didn’t.

It is sometimes hard to watch a film when you know the story inside out from the original, but TGWTDT didn’t have this problem.  The film starts slowly with a phone conversation between two old men, it is understated and quiet enough to make me lean forward slightly in my seat.  When the opening titles explode onto the screen you are pushed back into your seat with sheer visceral noise from the Trent Reznor/Atticus Ross/Karen O cover of The Immigrant Song.  The imagery is stunning but are completely different I thought they would be but it works very well even though it looks like a dark and disturbed James Bond style opening sequence.

After the impressive title sequence we are slowly and subtly introduced to the story and our characters.  David Fincher is an artist of the highest calibre and his works behind the lens are a joy, he brings the restrained style of a voyeur to the screen.  We are effortlessly kept at arms length, like a prisoner with Stockholm Syndrome, we gladly take what little information he gives to us and we never complain.  Pace is key with this film and DF is never one to rush the story along towards the aspects of the film which would may described as the most gripping.  In doing so he builds effortless tension and no scene is compromised leaving you with a complete feeling after every scene passes.  The story

Some of the shot selection is tremendous and expansive; following a blizzard battered train through a snow covered rural Sweden was excellent without showboating or the steady cam shot carrying us with Rooney Mara as she glides effortlessly through traffic made the hairs on the back of my neck stand up.

The score couples with the shot making perfectly, the ability of Trent Reznor is without question here.  You can always tell if it is a good score if can you actually notice it during, loud, action scenes.  I noticed the score in both the loud and the quiet scenes.  It never overstepped the mark and it made an impact when needed.

People question Daniel Craig’s acting, unfairly I think as I personally rate him as a fine actor.  In this film he embodies Mikael Blomkvist and does Michael Nyqvist from the original justice, with in a layered and composed performance which fits the film incredibly well.

Then there is Rooney Mara.

She has the incredibly hard task of following the tour de force performance of Noomi Rapace in the original version and in making the role her own.  It would have been very easy for her to overact or underact in this film but in my personal opinion that she is this films equivalent of a “punctum” in photography; it’s that thing that grabs a hold of you, the detail that makes it happen.  It’s an incredible performance from Rooney as she wears the role of Lisbeth Salander like she actually removed her skin and let her out from the inside, it’s a genuine performance full of outward rage, animal instict and understated aggression.  The character naturally is incredibly introverted so this can be a challenge to paint this on the screen and keep your audience captivated even without the pithy and snappy delivery of dialogue.  In this case you can draw comparables to Ryan Gosling’s fantastic performance in Drive, the way that she speaks is short, basic and almost monotone, she relies purely on her intense screen presence guided by DF excellent direction.  The rest of the cast perform admirably with what screen time they have but the main focus is on the relationship between Mikael and Lisbeth, with such downbeat chemistry and a somewhat awkward interaction it just serves to make their interactions even more realistic.

The original was incredibly dark and some of the scenes were actually hard to sit through without wincing and grinding your teeth.  I was concerned that the remake would shy away and dilute some one the disturbing scenes but to the contrary; certain standout scenes of sexual violence were even harder to stomach.

This is a bleak portrait of human nature, smudging the lines between sex and violence.

I loved this film and would highly suggest keeping the 26th of December free so you can ditch the family and watch a modern classic.

Just make sure you ask for the original for Christmas first.

August 4th
20:54

A fortnight in hindsight;

Joined the gym.  Worked out.  Played Xbox.  Slept.  Laughed with friends.  Arranged two dates.  Ate Thai squid.  Worked.  Laughed so hard I cried.  Got drunk.  Witnessed beautiful love.  Ate good food.  Discussed the future.  Smashed up my ankle.  Got my first X-Ray.  Realised there are always ups and downs.  Forgot how much I liked reverse cowgirl.  Understood Keynesian economics.  Looked into lock picking.  Joined a forum.  Managed to find Vibrams with a £30 discount.  Attempted a day of Ramadan fasting, failed at the first offer of a cup of tea. 

Brief overview.

My creative brain is asleep.

September 29th
23:49
Saw “Buried” tonight with the guys.  In a word; harrowing.

I put myself in Ryan Reynolds position for about, oh I don’t know…11 seconds?!  Which was quite enough for me.  I’ll tell you what, if I’m ever buried in a coffin by Iraqi’s, I’ll be trying to drown myself in tears and seminal fluids, fuck that for a game of soldiers.

N.B- Post film car ride discussion, the conclusion from half the car (the fools as they shall now be known) was that Paul  Conroy simply didn’t make enough effort in escaping…

…trapped in a coffin

…underground

…in the dark

…with a Blackberry and a pen.

Lazy fucker.

Saw “Buried” tonight with the guys. In a word; harrowing.

I put myself in Ryan Reynolds position for about, oh I don’t know…11 seconds?! Which was quite enough for me. I’ll tell you what, if I’m ever buried in a coffin by Iraqi’s, I’ll be trying to drown myself in tears and seminal fluids, fuck that for a game of soldiers.

N.B- Post film car ride discussion, the conclusion from half the car (the fools as they shall now be known) was that Paul Conroy simply didn’t make enough effort in escaping…

…trapped in a coffin

…underground

…in the dark

…with a Blackberry and a pen.

Lazy fucker.

July 17th
00:35
Average.

Sarcasm, isn’t great?  Honestly, I am going to have to bill Christopher Nolan for a new pair of pants.

People who know me know I am not easily lost for words.  So I’ll leave you with just two;

Fuck me.

(If I do decide to review this, it will probably kill me).

Go and see one of the best films of the decade.

Average.

Sarcasm, isn’t great? Honestly, I am going to have to bill Christopher Nolan for a new pair of pants.

People who know me know I am not easily lost for words. So I’ll leave you with just two;

Fuck me.

(If I do decide to review this, it will probably kill me).

Go and see one of the best films of the decade.

June 7th
19:35

12 Rounds: an unbiased review

Ok, I will try and keep this a short as possible in order to save my sanity/temper/keyboard.

The weekly adventure that is Cinema club started off badly, upon arriving in Crawley only to find that today’s release of Terminator: Salvation coincided with Orange Wednesdays - which meant every tightwad with a penchant for Hollywood blockbusters was going to be in front of us in the queue.

Actually getting a parking space was more frustrating than trying to keep a Hollywood actress’s Oscar speech below the 11minute mark. If that wasn’t infuriating enough it seemed the mentally disabled had taken all the spaces. Not that we were trying to park in disabled pays - far from it, more the fact that one driver had played “lets park with the white line between my wheels” game - whereas another actually parked in front of the entry ramp to the upper level of the car park rendering it useless. I am pro-choice for this reason; the world needs less single celled organisms inhabiting human skulls. It needs less dickhead drivers too.

Being Cineworld veterans and unlimited card holders I expected us to be ushered forward into reserved seats like the VIPs’ we are. But it seems my superiority complex was misplaced and we had to queue with the peasants. After finally receiving our tickets for 12 rounds - directed by the bloke who directed Die Hard 2 none the less! (The advert didn’t even name check him) We strolled into the screen with expectations as low as my standards in humor, and took our seats.

Now, I did expect shoddy acting, poor direction, hilarious dialogue and maybe a cheeky laugh along the way. What I actually received was two hours of retinal torture, my eyes and brain were bombarded with such awful images I would rather trade places with Susan Boyle’s waxier. This film was past the “so bad it’s funny mark” it was worse than catching your parents having sex.

In your bed.

In your clothes.

While your asleep

With your girlfriend.



The fact this film was a blended version of all other action films ever made, made me loathe it more, it ripped them off so badly. I know by nature action films are brainless and about visuals, but why do they all feel as mass produced as my sperm? What we have nowadays is a board room of people only concerned with profit. Films like Donnie Darko and Clerks struggle to get to screen and films like this are shat out by Hollywood week in week out.

So here is a simple yet powerful equation for all you budding directors out there - remember this next time your pitching to any suits at a major studio around the L.A area:

(Square headed wrestler + interracial police partner) - Chemistry + Kidnapped loved one + European villain x Explosions = Great action film

Here is a brief list of films that within the first hour had been ripped off:

Lethal Weapon - Interracial cop pairing. House exploding.
Speed - Bomb attached to heroin’s chest on a bus (yeah I know). Handcuffed to hand pole, wearing same clothes as Keanu Reeves. (The one time in my life I have compared Keanu Reeves to another actor and he came out on top).
Face Off - Use of white speed boat as a prop.
Bourne Ultimatum - Cutting techniques cheaply done, using someone’s washing wrapped over hands to jump over barbed wire fences.
The Rock - Tram scene
Con Air - Score, Fire trucks
MI:3 - Villain taking name of hero and coming back after his love interest.

Continuity was so bad - example: The FBI needs 30seconds to trace a mobile call location, we are lead to believe that the Villain hangs up just before 30seconds when in fact the call lasts for 68 seconds.

The editor had his work cut out (excuse the pun) and tried his hardest to make do with what footage he was given, still it would have taken a minor miracle to make this film flow. I did think it was sweet they hired Mr. Ali to hold the camera for the action sequences, seriously any more shaking and I would have been sick into my M&M’s.

Besides from this, the acting was more than wooden, more than dull - people in real life are more interesting. I should have stayed outside the cinema and I would have witnessed better acting from the McDonald’s employees and chavs congregating outside. Paralysis victims have more facial movement and I have delivered better bad news to strangers; I don’t even get paid for it.

One highlight was Joe’s comment about the toy car the FBI agent carries with him. *(Warning spoiler - but like you care)*. The villain has blown up a passenger jet with a cruise missile. The FBI agent on the scene finds a yellow toy car in the wreckage, completely unscathed, he takes it and keeps it to remind him of why he is chasing our villain. Joe’s quote: The toy car was fine, not a scratch, survived missile attack and crashing to the ground - why don’t they make planes out of matchbook cars?!” - Classic.

The dialogue was never going to be strong, but this makes childhood English projects that involve cowboys, ponies and power rangers close to Shakespeare by comparison. I will set the scene:

(Helicopter with Hero, Villain and Hostage are spinning out of control while the Villain shoots at our unwitting hero, and has been for the last 30seconds)

Hostage: He’s got a gun.
………………………More shots fired.
………………………Villain drops gun and dives to pick it up again.
Hostage: He’s going for the gun.

Whoa?! You ok?! You almost fell off the edge of your seat reading that right. Well the voice that is your inner monologue probably delivered those lines with more gusto and depth than our heroin. If that’s as passionate as she can get - in a helicopter with gunshots and explosions - then I do pity the drunken guy who throws her mercy sex next weekend.

I am now bored so will wrap this up to conclude:

WWE sucks spandex scrotums.

Hollywood sucks.

This was the worst film of the year/decde/my life.

John Cena has a square head - maybe he is made of Lego…would explain a few things.

If this gets made then there is hope for me yet.

Things to do instead of watch this:

1) Get gang raped by the same gender



Whey! You paid 7.50 to see this?!

Mwhahaha! To the bank I, and my lego head shall absail.

Thinking T:4 Salvation may get the same treatment….

June 4th
00:48

12 Rounds: An unbiased review.

Ok, I will try and keep this a short as possible in order to save my sanity/temper/keyboard.

The weekly adventure that is Cinema club started off badly, upon arriving in Crawley only to find that today’s release of Terminator: Salvation coincided with Orange Wednesdays - which meant every tightwad with a penchant for Hollywood blockbusters was going to be in front of us in the queue.

Actually getting a parking space was more frustrating than trying to keep a Hollywood actress’s Oscar speech below the 11minute mark. If that wasn’t infuriating enough it seemed the mentally disabled had taken all the spaces. Not that we were trying to park in disabled pays - far from it, more the fact that one driver had played “lets park with the white line between my wheels” game - whereas another actually parked in front of the entry ramp to the upper level of the car park rendering it useless. I am pro-choice for this reason; the world needs less single celled organisms inhabiting human skulls. It needs less dickhead drivers too.

Being Cineworld veterans and unlimited card holders I expected us to be ushered forward into reserved seats like the VIPs’ we are. But it seems my superiority complex was misplaced and we had to queue with the peasants. After finally receiving our tickets for 12 rounds - directed by the bloke who directed Die Hard 2 none the less! (The advert didn’t even name check him) We strolled into the screen with expectations as low as my standards in humor, and took our seats.

Now, I did expect shoddy acting, poor direction, hilarious dialogue and maybe a cheeky laugh along the way. What I actually received was two hours of retinal torture, my eyes and brain were bombarded with such awful images I would rather trade places with Susan Boyle’s waxier. This film was past the “so bad it’s funny mark” it was worse than catching your parents having sex.

In your bed.

In your clothes.

While your asleep

With your girlfriend.



The fact this film was a blended version of all other action films ever made, made me loathe it more, it ripped them off so badly. I know by nature action films are brainless and about visuals, but why do they all feel as mass produced as my sperm? What we have nowadays is a board room of people only concerned with profit. Films like Donnie Darko and Clerks struggle to get to screen and films like this are shat out by Hollywood week in week out.

So here is a simple yet powerful equation for all you budding directors out there - remember this next time your pitching to any suits at a major studio around the L.A area:

(Square headed wrestler + interracial police partner) - Chemistry + Kidnapped loved one + European villain x Explosions = Great action film

Here is a brief list of films that within the first hour had been ripped off:

Lethal Weapon - Interracial cop pairing. House exploding.
Speed - Bomb attached to heroin’s chest on a bus (yeah I know). Handcuffed to hand pole, wearing same clothes as Keanu Reeves. (The one time in my life I have compared Keanu Reeves to another actor and he came out on top).
Face Off - Use of white speed boat as a prop.
Bourne Ultimatum - Cutting techniques cheaply done, using someone’s washing wrapped over hands to jump over barbed wire fences.
The Rock - Tram scene
Con Air - Score, Fire trucks
MI:3 - Villain taking name of hero and coming back after his love interest.

Continuity was so bad - example: The FBI needs 30seconds to trace a mobile call location, we are lead to believe that the Villain hangs up just before 30seconds when in fact the call lasts for 68 seconds.

The editor had his work cut out (excuse the pun) and tried his hardest to make do with what footage he was given, still it would have taken a minor miracle to make this film flow. I did think it was sweet they hired Mr. Ali to hold the camera for the action sequences, seriously any more shaking and I would have been sick into my M&M’s.

Besides from this, the acting was more than wooden, more than dull - people in real life are more interesting. I should have stayed outside the cinema and I would have witnessed better acting from the McDonald’s employees and chavs congregating outside. Paralysis victims have more facial movement and I have delivered better bad news to strangers; I don’t even get paid for it.

One highlight was Joe’s comment about the toy car the FBI agent carries with him. *(Warning spoiler - but like you care)*. The villain has blown up a passenger jet with a cruise missile. The FBI agent on the scene finds a yellow toy car in the wreckage, completely unscathed, he takes it and keeps it to remind him of why he is chasing our villain. Joe’s quote: The toy car was fine, not a scratch, survived missile attack and crashing to the ground - why don’t they make planes out of matchbook cars?!” - Classic.

The dialogue was never going to be strong, but this makes childhood English projects that involve cowboys, ponies and power rangers close to Shakespeare by comparison. I will set the scene:

(Helicopter with Hero, Villain and Hostage are spinning out of control while the Villain shoots at our unwitting hero, and has been for the last 30seconds)

Hostage: He’s got a gun.
………………………More shots fired.
………………………Villain drops gun and dives to pick it up again.
Hostage: He’s going for the gun.

Whoa?! You ok?! You almost fell off the edge of your seat reading that right. Well the voice that is your inner monologue probably delivered those lines with more gusto and depth than our heroin. If that’s as passionate as she can get - in a helicopter with gunshots and explosions - then I do pity the drunken guy who throws her mercy sex next weekend.

I am now bored so will wrap this up to conclude:

WWE sucks spandex scrotums.

Hollywood sucks.

This was the worst film of the year/decde/my life.

John Cena has a square head - maybe he is made of Lego…would explain a few things.

If this gets made then there is hope for me yet.

Things to do instead of watch this:

1) Get gang raped by the same gender



Whey! You paid 7.50 to see this?!

Mwhahaha! To the bank I, and my lego head shall absail.

March 15th
20:04

Mutant Chronicles; an unbiased review…

So I decided to break in my new cineworld membership card last night, oh boy it was worth it! Last night I went to go see, get ready for it…….’Mutant Chronicles’.

I know what you’re thinking guys, what a title! The kind of title that pulls millions at the box office – that scares the girlfriends and gores out all the men watching. I would like to say the cheesy 70’s B-Movie title did it justice, but it was quite simply the worst film I have ever seen…

Billed as staring John Malkovich – yes the John Malkovich who’s part can only be described or credited as….’Dying Man…..for 9minutes’. When I say ‘starring’ I am thinking of giving trades description a call as they may well want to get involved - I actually had more lines of dialogue in this film, and they were better delivered too. At least his credit is accurate – he certainly was dying along with his career and any respect he ONCE had. You have to think that money must be tight in the Malkovich household or just that his greed got the better of him to the tune of $5million for precisely 6 lines of speech he so half heartedly exhaled out or as I prefer to call it - utter drivel.

The director, who I struggle to think could direct a dog to a lamppost and the writer (nb: I use writer in the loosest sense, I could have given my dog a crayon and he would have come up with a more coherent story) will no longer have careers in film or anything else for that matter other than asking me ‘…would you like fries with that?’ This gives me supreme confidence in making it into the film industry with this kind of tripe being regurgitated from the lower intestine of brainless, talentless ‘film makers’.

The best part was the ending where everyone and I mean everyone in the screen clapped and cheered ironically as the last lines of dialogue fell flat and the credit’s rolled. I don’t even think people clapped that long after the first screening of The Godfather, or were as pleased for a film to end as a party political broadcast for the Lib Dems. So it provided a few (ed. Lots of) laughs albeit at the acting, graphics, plot, name etc although on a serious note people – if the planet is turmoil and four different factions are at war over the resources, take your battle hints and tips from World War One. Seriously the first 20minutes is the complete guide to trench warfare set in 2709, but with no lasers, no robots, no fancy planes – just men in tin hats using 1913 technology with even more robust accents. A prime example is ten minutes in when a soldier uses a wooden box with two mirrors inside acting as a periscope to look over the parapet. It was just like watching those history videos back at school, but with less technology and direction. Still using mortars and mustard gas, the troops come under seize from suspiciously looking ‘SS’ style troops or if I was to be so bold which I shall be, NAZI’s. That trusty old enemy that is never short of followers in all low budget, unimaginative flicks that come out nowadays. It is looking like history repeats itself as the Americans and British join forces to fight the evil Germans. But then seemingly out of nowhere they all have to join forces as a new enemy struts into view….

Then came the ‘mutants’ that’s right you heard ‘mutants’ – (it just gets better and better) - that came here ‘years’ ago (note non-specifics there). Planted a ‘machine’ in the Earth (Eastern Europe to be exact) that converts dead or dying people (or John Malkovich’s) into ‘mutants’. That only a religious power group know about and hid from the world until the sh!t hits the fan. They then enlist a crap/ck team of soldiers to save the Earth before these ‘mutants’ drag, yes drag dead or dying people to this machine to be given a mutant makeover. The difference between normal people and ‘mutant’ is what can only be described as ‘sharp hand’ or a blade for an arm…..scary stuff. So the ‘mutants’ run amok slashing and screaming all the while being shot at – BUT not dying (you need a ancient sword for that job ;-) They storm the trenches killing all these soldiers who have guns by stabbing them in the face with their very fetching crab arm appendages. I did ask the question why are the soldiers not shooting but I do suppose the Lee Enfield field rifle was prone to jams….in 1916 so I can’t imagine much has changed in 800 years.

Go see it if you have spare time on your hands and literally no paint to watch dry.

19:59

The Edinburgh weekend…

Edinburgh

So we headed off to Edinburgh at ungodly o’clock, the day started at 4am with me knocking on Gib’s and walking to Justin’s to get a taxi to the airport. So far no problems to note, except when we get to check in and my boarding pass flashes a fear inducing red on the checkpoint screen. So I have to go back and manually check in like a common pauper. I queue up and realize that I am starting to slip behind schedule so I manage to slip into the express check in and get a new boarding pass. A quick folly through security and I am in!

Now the new challenge lies ahead; take-off. I have recently discovered a deep set fear of taking off in an airplane. Don’t ask me why or what but just accept it as my irrational fear, funny thing is once we are in the air and even during landing I am happy as a bunny with all the carrots. Now I happen to hang out with a group of guys, who when they smell fear, will try and amplify it somewhat.

Verbatim;

Jamie: “I hate being this nervous”
James: “You know they call it a terminal for a reason”

Justin: “You won’t die”
Jamie: “Cheers”
Justin: “Just be crippled for life”

Mike: “Does the brace position kill you?”

James made up for it on the flight out there by sitting next to a seriously hot girl – the man is a magnet, he just heads towards woman like fat kids to cake.

The take off goes without a hitch and we are airborne, I feel more relaxed and start to read my NUTS magazine – boobs and jokes, the cornerstone of any male literature. Upon landing I must admit it got a little bumpy but it was fine, nothing to worry about. Well that is unless you are the woman next to me who happens to fill her sick bag up to the brim, god forbid what she would be like during vigorous exercise, I pity her boyfriend.

We get off the plane and grab ourselves a taxi to the town centre where we have a spot of breakfast and start to explore the town.

Edinburgh is a great city; I implore everyone I know to go there at least once even just for the architecture and the sheer gorgeousness of its setting. That alone is worth the journey regardless of how cool the nightlife is. We walk around and check out Princes Street and the main shopping areas. Everywhere you turn there are castles, monuments, churches, Edwardian looking buildings. Imagine a smaller, prettier version of London and you are not even close. I would actually contemplate moving there if it wasn’t full of Scottish people, that is a joke and if you don’t like F- You, but anyways – I would consider it.
After much walking around including a quick foray up to the castle, which was in the right place to defend the city but unfortunately the wrong place for a tourist hotspot, how many fat Americans really want to climb a hill like that. We of course hailing from good olde’ England we didn’t bother with paying to see a castle and promptly left. We invented castles, hell I was born in a castle. Once you have seen one you have seen them all.

Topman on the other hand is a Pandora’s Box of surprises and fashion statements. Gib and I made a bee line for the men’s section while the rest of the boys questioned our testicular fortitude. We didn’t care, we may look gay, but chicks love gay and having chicks love you is cool – Vis a vee we are cool, so get your hands back in my pants Justin.

Finally 2pm rolled around and we headed to the hotel to check inn. Me and my pet Justin checked in first and headed up to our room to which we were pleasantly surprised, no cockroaches, no dead rats, and no crack whore – (shame). I headed up to Gib’s to check on his so called “Deluxe Suite”. After about 20minute walk/hike I found his room and proceeded to shoot the shit about the evening’s plans. Then I was given a great piece of information; 70 strong hen party staying in the hotel. Who doesn’t love hen parties?!

After another 5 minutes of conversation in which I tried and failed to set a 5am wake up call on Gib’s phone (he caught me) I decided to christen his freshly cleaned toilet, much to his dismay. Only way to describe it was; eye watering stench/unbelievable scenes. I vacated his room pretty soon. He would get me back though as if Karma is his secret weapon.

“Shit’s Mcgrew”: What number are James and Mike in?
Gib: 402
Me: Cool

Obviously those of you with 2 brain cells will know they were not in room 402. This made for an awkward moment when the door was opened by neither James nor Mike. I was already proceeding to tell them about what I left in Gib’s room. A quick apology to the elderly gent and I finally found the right room. Cheers Gib, I suppose what goes around comes around.

The tom foolery was not over yet, I had a wake up call to set. Nonchalantly walking over to phone and saying I wanted to see if I could get reception as ours wasn’t working. Those of you who know me really well know;

1) I cannot keep a straight face when I am doing something mischievous.
2) I cannot do nonchalant

But for my obvious shortcomings they bought it and the trap was set, evil genius is an evident career path. I headed back to my room and fell asleep listening to As God and Everest by Pop Unknown, check it out it’s a great song. I awoke to soccer Saturday and the news Bolton had just won against Spurs, along with the dream I had about Megan Fox and the penguin waiter called bingo, this was a great start to the evening. We got dressed and headed out for a spot of dinner. We found a bar which bared a likeness to a Wetherspoons so decided to play safe and grab a burger and watch the footy. Game was dire, but a win is a win for The Mighty Red Devils.

After a couple of beers and chat we headed back to the hotel to get shirted up and try Edinburgh on for size. I of course was late, a mixture of my usual vanity and my addiction to the power shower which Justin described “…could smooth the dimples of a golf ball…” It felt like being born into a hailstorm, a sexy, warm, bollock-bruising hailstorm. With my dress in check we headed down to the foyer and marched into town and into our first bar. The rule of a night out is simple the first bar must be easy, cheap and a general good atmosphere to kick start the night’s proceedings. This bar was not it, not only were we the first under 35’s in their, we were the only under 35’s in there. A quick pint in which the following was observed;

1) The men were so badly dressed, it appeared like they were in an eastern block country which got its fashion sense from whatever the foreign aid guys bought over with their inoculations. James pointed out that one guy must have borrowed his dad’s shirt and best shoes. We literally saw a guy whose shirt came down to his knees.
2) The woman had seen to many winters, simply put they were old. Some maybe were “10 pinters”. Work out for yourself what that little moniker means.
3) The ones, who were younger than the castle, were generally products of lackadaisical approaches to saturated fats based diets. One girl had genuine can-kles, a scary sight up close let alone as she climbs the stair adjacent to where you’re sitting.
4) We were getting funny looks, maybe us pointing to peoples spouses and giggling wasn’t a smart plan.

Onwards we marched towards the Espionage, the club/bar where we thankfully remained until the end of the night. Compared to the previous bar this place was a playboy mansion of young, drunk ladies. The fact hammered home when we walk into the first downstairs bar and are greeted by a healthy ratio of 6 to 1. Espionage has a multi room lay out and we must have visited each one about 8 times. It was a great club with good music and 2 dance floors, Gib and I made light work of the girls on their local pub crawls. My first time “chatting up” some birds goes great until a local dwarf (see short man) with the dress sense of a blind special needs kid, and a keg for a liver tries to seduce the ladies. It was all in good spirit’s which ended in him and his mates leaving and the better man victorious. Or in the other version the man who can talk and out wit his dumb opponent and crack a joke. Either way he left pretty soonish and then Gib and I rejoined the gang.

We headed into the other rooms and partied, highlights included having to order a pineapple and cranberry along with an archers and lemonade. Did I look gay? You decide, bear in mind I was wearing a silk dress scarf with a light blue tight v-neck jumper, thought as much. Talking to and entertaining the local ladies with some easy drinking games, Justin slowly slipping into drunk Southey mode and James and Mike providing much needed banter. Personal highlight was saving a hot blonde from the outrageous dancing of some random dude who looked like he was convulsing on her, I smoothly offered my outstretched hand to which she gratefully accepted and grinded with me, his face was a picture of confusion and wonder. Maybe I am over doing it but it felt great.


Gib, Mike and James disappeared, Justin and I were accosted by 2 rather strange Canadian girls who we walked through Edinburgh City centre with. We managed to find our way back to the hotel and crashed out at 3am.

We awoke, showered and headed for a day in the pub with football and lots of chat including the infamous Glen Johnson toilet seat story. The annoyance at my wake up call which involved neither Mike nor James picking up the phone until James snapped and throws a shoe at it. I cherish that thought more than any other I think. Watching the SPL is always fun and worthy of some serious criticism. The Liverpool Chelsea game had many talking points including Gib confessing how much he hates Liverpool; literally it isn’t healthy to have that much hate. We then cruised back to the Airport where we sat around and compared boobs…..from our copies of Front and Nuts.

Then everything went tits up;




The road trip

Ok, I have been back about a good 30minutes from the EPIC trip to Edinburgh. Some of you may have realized that I and my party of five are back about 18hours or so late. Well since the clouds decided to whitey all over the south of England our return flight to Gatwick got cancelled and kind of put our plans of a lazy flight back to The Grinstead in serious jeopardy.

Firstly after the debacle of my security stop in which I forgot to remove my phone, keys and STEEL toecap boots, to which I was, manhandled by a descendant of William Wallace with a sarcastic streak. We headed into the departure lounge and were quickly greeted by our first delay of 20minutes making it a 21.50 departure. Shortly after me and Gib played Gladiators on the giant conveyor belt, and grabbed a beer at the bar, our second delay was announced; 23.00. Typical, so onwards with another beer and just as Mike got a fresh pint of Tennants it was announced the flight was cancelled and to make our way to the Easyjet desk. Watching Mike shotgun his pint and try to get down an escalator was one of life’s great moments. Walking through security with a bottle of Sammy Miggs was surprisingly lax; well that’s Scotland for you.

When we got to the line it was clear that our plane was not going to be available anytime soon and the thought of forking out another night in a hotel was not what everyone wanted. The trains were overpriced and had to go through London – which was pretty much snowed under so they were out. I can’t remember who suggested renting a car, but I am sure it was in jest. After queuing for about 20minutes and not actually moving forward we took the idea a little further.

Or rather James “spontaneous is my middle name bitch” Springham decided to take it further, and proceeded to start negotiations with the HERTZ rental clerk, whom on asking James 3 times to spell “Gatwick”, then getting him to write it down he decided to choose another company without a staff EU quota policy or as he put it; “an absolute joke”. We think she was either of Eastern European origin or just plain retarded. Who knows? With the chances of getting on a flight quickly diminishing or even getting a car at this time we started to put our efforts into getting a car and driving the 500+ miles back to Gatwick.

James continued to investigate and set about making this glorious idea happen. I decided to go offer my support and expertise to the situation. (I can name more than 3 makes of car; have had 2 beers and have rented a movie, so I am therefore overqualified on these matters)

(Note to self; if you have been in Edinburgh drinking for the weekend and your plane gets cancelled and you decide to drink more in the futile hope that a ride home will magically appear from the bottom of a beer bottle. DON’T walk over to the stuffy middle aged lady who has the keys to a shiny ride home, a serious contempt for shift work and prerequisite to judge with a San Miguel bottle in your hand, a tramps hat and a 26 day shadow.)
Also Gib – not great to start chatting about where and how we were going to party/trash the vehicle INFRONT of said middle aged stressed, judgmental clerk, we either came across as normal guys in a tight spot or pissed up Brits who cant be arsed to steal and joyride a car.

But after some straight talking from James and some buttering up from me we were handed the keys to a shiny……………………………………………………… ……
………………………………….Vauxhall Meriva. (Cue audience excitement noise)

Not necessary a bad car, yet not necessarily a great car. We quickly found it in the parking lot and set about climbing aboard our newly crowned shag-on wagon.

Upsides to the Meriva;

1) It had wheels
2) A full tank of petrol
3) It had tinted windows – why this is an upside is beyond me, but I have just walked 6 miles through snow and am just regaining the feeling in my pinky toes so F – You.
4) It had a somewhat ironic 2 sunroofs.

Downsides;

1) It was grey
2) It was slow
3) It was a Vauxhall
4) It was a piece of shit – according to James.
5) It was designed to have 7 year olds in the back, mental age aside it was a little cramped for our adult frames

But none of these points actually mattered as it was a ride and a decent ride at that. Sitting in between Gib and Justin was as always a pleasure, especially when you’re in the freaking child’s / death seat, and they snore like asthmatic wilder beast. The plus side was it had more leg room than an Easyjet flight we were due to board, and a prettier pilot. (Thank me later James) Also with the fact we don’t have to defy the laws of gravity in order to travel, I was supremely confident in not dying. The guys still vehemently tease me about my fear of flying and I still cry at take off. Doesn’t help as we go to board and James turns to me and informs me it is called “a terminal” for a reason (Douche).

So with Mike “Goose” navigating and I Maverick – (who else?!) talking pretty much the bullshit we had all become accustomed too, we got under way.

Basically not much happened along the way except;

1) We stopped within half an hour for supplies, which included Galaxy bar, Kit Kat Chunky, Doritos, 2x Red Bull, Relentless (see: Cocaine in a can). These items were pretty much gone after 10minutes.
2) It snowed, then stopped for 100miles then started again.
3) James stopping at the next service station to go for a pee, Justin and me thinking it would be funny to drive off with the car and take it for spin, leaving James to his devices with the garage staff that could have been extra’s in Deliverance.
4) Me hot-boxing the car and finding it HILARIOUS. I really am immature, hmmm.
5) Mike doing running laps at the third rest stop, in minus 4 degrees. Cue questions checking his mental aptitude.
6) Playing “would you rather…?” and finding out that none of us would take anal rapage for one another.
7) Sleeping.
8) Discussing the finer sides to the fetishes we would never do…..or what we would do (graphically) if we never had to see the person afterwards. Ever.
9) Super Bowl on five live.
10) Attempting to buy a CD from Pishan Ghoman. No he is not a singer; he is the guy who served me in the 24hr WHSmiths. Why do I know his name? Because he was simply the dumbest fucktard I have ever met, or at least in the top 3. After around 11 minutes of searching for a DVD he asked me whether the CD he was actually holding was actually a CD or a DVD. Cue my look of astonishment and wonder at his inability to make the distinction. I almost looked around for Jeremy Beadle, but then I remembered he was dead. He then searched for a CD; probably not the one I wanted for another good 7 minutes before closing the draw and telling me “can’t find it”. His tone done it, it was the tone of someone who cannot be bothered to use cutlery and thinks that a shower a week is acceptable hygiene. The tone of someone who wishes the sweet release of death after every shift. “Ghoman” he certainly wasn’t, he had all the get up and go of a coma patient. More of a doughy slow man who needs to wake up and smell the anthrax, douche bag.

Then after 8+ hours on the road with James “The Machine” Springham driving, we came towards the make shift Arctic Circle called the M25 and came to dead stop for 3Hours. Some bloke forgot that snow and ice generally make driving a little more hazardous and decided to jackknife his lorry, well done Einstein, that’s why you haul cargo for a living.

Well Mike, Justin and I were not having this and decided to go for a wander along the M25 for app. 6miles in the cold and snow. Gib being the lazier or smarter of our quintet, decided to stay in the warm with his copy of Front and a glazed expression on his face. Seeing as the next service station was 19 miles away, we had it all to do. Along the way we were getting strange looks and compliments from strangers in there warm, safe and boring auto mobiles. We even stopped to help some Albanian gangster in his huge Mercedes, who was just wheel spinning everywhere. Talking to truckers like we are common folk just like them, and sharing a joke. Or asking cute blondes whether we can jump into her mini……………………………..cooper. She politely declined -funny people out there huh? We walked, we battled against the snow, and we generally were very bored and wanted to see whether we could actually make it to the service station without doing a mischief.

Then just as we started to make good ground and feel that impossible is nothing (shameless I know) we encounter the traffic officer. A strange creature, neither humble nor needed who will patrol the hard shoulder on a jammed motorway telling people they are crazy for walking on the hard shoulder of the dead motorway. Crazy we may have been, but it wasn’t exactly dangerous as I have swallowed food quicker than the traffic was moving. But alas us good natured individuals turned back and walked the 6 miles back…….along the hard shoulder – who wins now bitch?!

We finally found James on the inside lane and bundled into the back of the godlike Meriva and its glorious heaters.

And an hour later and we were home.

Beats flying any day!